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Tae Kwon Do Defined
Tae Kwon Do can be described in the following
manner: "Tae" means literally means to jump, kick, or smash with the foot.
"Kwon" denotes a fist to punch, strike, or block with. "Do" means an art,
way, or method to achieve a desired goal. (When written in Chinese script Do
is Tao.) Thus, when taken collectively Tae Kwon Do indicates techniques of
unarmed combat for self-defense, using the skillful application of hand and
foot techniques for the rapid destruction of your opponent.
In Tae Kwon Do there are four basic sets of
movements:
1. Chagi, foot techniques.
2. Sugi, hand techniques.
3. Makki, blocking techniques.
4. Pealhagi, dodging or shifting techniques.
Chagi (foot techniques) can be broken down
into two groups of techniques: Attacking or defensive techniques. Tae Kwon
Do makes extensive use of kicking techniques based upon Korean's unique
thought pattern. In Korea it is believed that the hands of a person are very
valuable and should not be demeaned by striking an enemy. Additionally,
there are very practical reasons that foot techniques were developed to such
a high degree of proficiency. Korea is a country made up of many mountains
and so the people developed strong legs from walking up and down the
mountains. By developing this strength and flexibility in the legs it was
only natural that they be used in a combative nature. Your legs are stronger
than your arms. So even if your opponent is much larger than you your legs
can reach him and deliver a stronger attack than his arms.
Sugi (hand techniques) play an important role
in Tae Kwon Do. As with the legs, the hands can be used for defensive as
well as offensive techniques. Traditionally in Tae Kwon Do, hands were
mainly used as offensive weapons, and to create openings so that the more
powerful legs could be brought to bear upon the opponent. However, today in
America hand techniques are being used in greater number to the exposure to
other styles of Martial Arts.
Hand techniques are broken down into three separate concepts:
1. Punching
2. Thrusting
3. Striking
Punching is delivered by twisting the hand fully at the moment of impact to
cause internal hemorrhaging. An example of this technique would be the Pal
Pop Gi, the first basic exercise.
Thrusting is delivered by twisting the hand less than in a punching
technique. An example of this technique would be Sang Dan Sudo Chi Gi (knife
hand).
Striking would be delivered with the least amount of twist of the hand, the
attack being delivered with almost a straight-line motion of the hand. A
good example of this technique would be the Palm Heel Strike.
Makki (blocking) is the obstruction of your
opponent's attack with a part of your own body so that the force of the
attack is dissipated without injury to the defender. Makki plays a key role
in Tae Kwon Do and is exemplified by the fact that all Hyung (forms) begin
with a defensive or blocking motion. This indicates the defensive nature of
Tae Kwon Do and reinforces the notion that our skill should only be used in
appropriate situations.
Pealhagi (dodging) is the shifting of the
body so as to avoid the attack movement of your opponent and placing
yourself in the most advantageous position to initiate attacks and defense.
This is a skill that comes with many long hours of training.
To practice Tae Kwon Do there are four
aspects that must be covered:
1. Basic Exercise.
2. Hyung or Forms.
3. Dae Ryun or Sparring.
4. Psychological aspects.
Basic exercise as the name would imply
involves the repetitive practice of punching, kicking, blocking, and moving
techniques. By the repeated practice of these techniques the student forms
and masters the physical movements in Tae Kwon Do. This would be like
learning the alphabet for a young child. Without this foundation it will be
impossible to proceed to more advanced techniques in Tae Kwon Do. The
practice of the basic exercises is not just for the beginning student, but
for the advanced as well.
Hyung or Forms are prearranged combinations
of kicks, punches, block, body movements, and jumps that are arranged in a
logical pattern. These forms have a long history in the Martial Arts and
have been passed down from Instructor to Student for many years. For many
Students that do not fully understand the meaning of Tae Kwon Do they find
the practices of Forms boring and unimportant. On this matter a new Student
must take on face value that the practice of forms is very important. In the
old days the only way that an Instructor could pass the important aspects of
his style was by the use of forms. They would devise these sets of movements
to a sequence so that the first form taught would be the simplest. As a
Student advanced in experience and the Instructor trusted the Student, forms
would become increasingly difficult. Even today when we teach Tae Kwon Do
the new Student will begin with very easy Forms and progress to the more
advanced. Even though you advance in rank and skill it is still important to
practice the basic Hyungs. You will be able to analyze these forms in a
different light.
Dae Ryun or Sparring is a relatively new
addition to the Martial Arts. This has given rise to the sporting aspects of
the Martial Arts in general. This is the area in which most Martial Arts
schools spend the most time. It may or may not be the wisest use of time.
However, this is the aspect of training that most individuals enjoy the
most. There are several types of Sparring and they can be performed in
either a prearranged or spontaneous manner. Sparring is an auxiliary method
of training and is used to supplement the basic patterns of practice.
The Four Areas of Tae Kwon Do Today
Tae Kwon Do As An Sport
As a sport, Tae Kwon Do is rapidly taking its
place the world sport mainstream. Tae Kwon Do was introduced into the
Olympic games in 1988 in Seoul, Korea. Tae Kwon Do can be one of the most
exciting competitive sports today. With the varied use of hand and foot
techniques tremendous skill is required to apply the various tactics with
speed, power, and skill without endangering your opponent. Because of the
absence of physical contact injuries are infrequent and minor which makes it
a very safe sport to practice.
Tae Kwon Do As An Art
When Tae Kwon Do is demonstrated by a skilled
practitioner, the coordination, speed, power, balance, and control is
regarded as a highly skilled art form. Such a demonstration is truly a
beautiful sight to see.
Tae Kwon Do For Physical And Mental Fitness
It is a general impression that fighting,
breaking boards, and bricks is what Tae Kwon Do consists of, but this is an
entirely mistaken concept. Tae Kwon Do demonstrates feats as breaking boards
and bricks only to show what the human body is capable of. This kind of
training in Tae Kwon Do involves both the physical and mental aspect of
human development. These breaking techniques demonstrate to the spectators
as well as to the participant speed, power, and courage. For the Student
this is a real example of what they are capable of doing with their hands
and feet. It will require trust and courage on their part to break these
hard objects. The Student will trust the judgment of the instructor of the
ability to break such objects. It then requires the courage of their
convictions to accomplish the breaking technique.
Having the knowledge that with bare hands and feet one can break boards,
bricks, and blocks, I feel the Student will respect this power and not abuse
it.
Tae Kwon Do is one of the most all-around methods of physical fitness since
it is a natural weight regulator either for taking pounds off or putting
them on as needed. Additionally, Tae Kwon Do makes use of all of the body
parts in training. Both the right and left sides are exercised equally. In
Korea all Students of Elementary and Secondary schools undergo Tae Kwon Do
class in the curriculum of athletics under a Ministry of Education decree.
Besides, most collegians, all soldiers, and policemen, and even workers
practice Tae Kwon Do regardless of age and sex.
Today in the U.S. there has been research
activities validating the claims for improved mental states. Pyecha
indicated that participants with as little as 8 weeks of biweekly training
might significantly influence personality. Further more, they found that the
training made a significant contribution to the stated psychosocial goals of
physical education. The participants seemed more warm hearted and easy going
than those without Martial Arts training.
Superior Martial Artists score higher on scales of Defensiveness, Self
Control, Achievement, Dominance, Endurance, Affiliation of Heterosexuality,
Exhibition, Autonomy, and favorable Adjectives checked. What this means is
that "the superior Martial Artist seems to be an outgoing extrovert somewhat
aware of his social environment, looking at himself positively, and trying
to get ahead in life.
Psychiatrist Kroll noted that Karate has several advantages to offer as a
physical education and/or therapeutic adjunct to psychiatry. The effects of
participating in a physical education program are obvious to the casual
observer, but the emphasis upon wholesome character attributes and etiquette
can be seen as desirable in its attempt to ameliorate asocial tendencies.
Mihevic, in 1982, reviewed research dealing with reduction of anxiety,
depression, and muscular tension. It was indicated that vigorous and acute
exercise would result in a significant reduction in state anxiety and
muscular tension. It was further indicated by Greist et All in 1979 that
Chronic Physical activity is as effective in alleviating the symptoms and
complaints of mild clinical depression as traditional psychotherapy.
As you can see the claims for the positive mental development of those who
practice Tae Kwon Do has validation in the current scientific research.
Tae Kwon Do For Self Defense
Even to the casual observer it is quite obvious that the well-trained
Martial Artist has a very powerful means of self-defense. In Korea, the
Presidential Protective Forces are all trained in Tae Kwon Do. Additionally,
several other countries are also adopting Tae Kwon Do in the training
programs of their prospective forces.
History Of Tae Kwon Do
Tae Kwon Do, as we know it today is the
Martial discipline that has evolved from the ancient hand and foot arts of
Korea. The self-defense art of Korea had many names, some of which are Subak,
Kwon Bop, Tae Kyun, or Yu Sool. The art of self-defense is as old as
mankind. Tae Kwon Do is the product of countless years pf practice by
generations of Martial Artists. Tae Kwon Do can trace its evolution to the
"Three Kingdoms Period" of Korea and perhaps its roots extend even further
in history.
It is only logical, with the constant
struggle of mankind, that more efficient forms of combat are developed.
Various geographical and cultural influences the primitive forms of combat
into the Martial Arts as we know them today. The Martial Arts are based on
the imitation of effective methods of combat and, as would be expected, have
crossed cultural lines. These fighting arts have been transmitted by
commerce, war, and religion. As the arts are transmitted these pre-existing
forms of combat are modified to fit the national character. Thus, by
integrating fighting methods from other nations the national Martial Arts
are constantly changing. This can even be seen today by the blend of boxing
and Tae Kwon Do to form Full Contact Karate. This is a blend of Western
Boxing and Tae Kwon Do/Karate that appeals to the American Martial Artist.
We can trace the Martial Arts through various
records and begin to see the development of the Arts. In early written
records (Egyptian Hieroglyphics around 4000 B.C.) there is a form of hand
and foot fighting depicted on the walls of the pyramids. Also, in the Book
of Jasher, and ancient Hebrew document, there are references to a special
school that trained the armies of the Pharaoh in unarmed combat forms. There
are records of unarmed combat in the ruins of Sumer, Mesoptamia (3000 B.C.).
These ruin depict a similar art to that of the Egyptian army. Also there are
references of this form of combat in Bein Hasan, Egypt (2300 B.C.).
These techniques, or refinements traveled to
Crete and then to Greece. In Homer's Iliad we find references to a fifth
century B.C. boxing champion who killed 1800 men and defeated another 302.
In fighting forms indeed transmitted through
contact with other cultures were these forms introduced into the Orient? By
looking at history we find that there was considerable intercourse between
the Greek, Mesoptamian, Egyptian and Persian Civilizations. You can find
that the Mesopotamian culture had contact with the Indus Civilization of
India (2300B.C.) during the Shang Dynasty (1722-1122 B.C.). Arabian caravans
traded with China bringing home the treasures of Cathy. Alexander the Great
in 326 B.C. conquered a very large portion of North Western India. As
history tells us the Greek cultural influence would be felt for many years
to come. This could be part of the vehicle that helped to spread various
forms of unarmed combat.
During the thirteenth century B.C. there was
a warrior class in India known as the Kshantriya. The Kshantriya were the
warrior of India and were trained in the current forms of Martial Arts. It
was the duty of the Kshantriya to protect in the time of war and to govern
in the time of peace. The Kshantriya practiced the pugilistic art of
Vajarmushti. Translated Vaajarmushti indicates "One whose clenched fist is …
adament; of a Kshantriya; the clenched fist as a weapon." This notation of a
fighting art appears in the Buddhist Lotus Sutra (Fu Hua San Ch'ing).
Vjaramushti in Chinese is read as Hsian ch'a
Hsiang P'u. Some of the characters in the Chinese are also used in Japanese
to represent the ancient art of Sumo. Vajaramushti could be considered a
very influential part of the Chinese schools of Wu Shu.
During the reign of the Emperor Ming Ti, of
the Han Dynasty (64 A.D.) Buddhism was introduced to China. The story goes
that Ming Ti on several successive nights had seen a dream. That of a man in
golden raiment, hold in his hands a bow and arrow pointing toward the west.
Ming Ti finally decided to send messengers to seek the man whom he had seen
in his dreams. Ming Ti selected a group of 18 ambassadors who started off to
India by the western route. On their way they found 2 men on horse carrying
with them scripture and images. They then escorted the men back to the
Emperor. This then was the first official introduction of Buddhism into
China.
Bodhidharama was the third child of King
Suondha, the 28th patriarch, and a member of the Kshantriya. Bodhidharama is
credited with the introduction of the Art that has been associated with the
Shaolin Monastery. It is logical to assume that Bodhidharama was trained in
Vajaramushti and that it was introduced to the Monks. During his stay at the
Shaolin Monastery in Hunan Province Bodhidharama found the Monks to be in
poor physical condition and so he taught them a method of conditioning. This
was known as Shin Pa Lo Han Sho. Bodhidharama is also credited with the I-hu
Ching, and the His-Ching all of which had a marred influence of Chinese
fighting Arts.
Late in the first century B.C. a people from
the Sungari Valley moved in and formed a kingdom, which they called Koryo;
this was the origin of the westernized name of Korea. At about the same time
the kingdoms of Sillia in the Southeast and Paekche in the Southwest were
formed from Tungusic tribes who through previous centuries had populated the
Eastern side of the peninsula and the three Han States. Also, the small
state of Imana (mimana) had grown up on the South Coast, where Japanese
colonists settled with the tribes there. This was a Japanese protectorate
through the first six centuries A.D.
The foundation of Korea is shrouded in myth
with the core being that of a divine ruler known as Tan' Gun. Tan' Gun has
been called Sinnin which can be translated as angel, spirit, divine man, or
a god. Legend has it that the Creator offered to turn a bear and a tiger
into a human being if they would eat certain plants and herbs and stay in a
dark place for three weeks. The tiger did not last through the trial and
remained a tiger. The bear, however, was turned into a woman. The Creator
was taken by her beauty and fathered a son by her. This son was Tan 'Gun
(2333 B.C.). Tan' Gun is said to be the third person in a divine tirumerate:
Huwanin is God (ch'on), Hwanung is the spirit (sin) and Tan' Gun is the god
man (sinnin). Tan' Gun founded his capitol at P'yongyang. He also built the
altar atop Mari Mountain at the south end of Kanghwa Island. Tan' gun gave
Korea its first, last, and real name Chosun (land of the morning calm).
The second great man to influence Korea was
Chinese. Chi' Tzu could not swear allegiance to a dynastic line and so
departed to found his own state in the Korean Peninsula (1122 B.C.). Chi'
Tzu also introduced Chinese culture such as medicine, magic, fortune
telling, and fine arts of the time.
The Chinese eventually divide Chosun into
four areas: Lolang (Nangnang), Lint'un (Imdun), Hsuant'u (Hyundo) and
Chenfan (Chinpun). The Chinese relinquished control over what became the
kingdom of Koryo in 37 B.C. Chumong was the grandson of Ha-bu-ru who ruled
the Puyu who came from the Amur River. Chu-mong left with some of his
friends to seek his own fortune and married the daughter of the local ruler
or Cholbon. This was the start of the Three Kingdoms period of Korea.
King Onjo, who made his capitol at Nawhan
where it remained until 6 B.C., when the capitol was moved to Pukhan,
founded Paekche in 18 B.C.. Paekche can be translated as a "hundred cross
over the river, or had come from beyond." Paekche occupied the southwestern
part of the Korean peninsula with its central zone around the Han River.
Paekche would carry on commerce with China and pass on cultural developments
to Japan in the years to come.
Park Hyuk Sose founded Silla in (57 B.C. -
932B.C.) and made Kyung Ju its capitol. Consisting initially of weak,
disorganized tribal groups seeking unity, Silla emerged as a power in the
fourth century A.D. Because of Silla's geographical location it escaped
occupation by its neighbors Koryo and Paekche. This small kingdom, however,
was not spared from military raids. These came not only from neighboring
kingdoms on the peninsula itself, but from Japan as well. Thus, survival
dictated the marshalling of a strong army in Silla.
Of the Three Kingdoms, Silla, Paekche, and
Koryo, Silla was the smaller. Silla was under constant harassment and threat
of invasion by its more powerful neighbors to the north and west.
"The History of the Three Kingdoms" Volume
81, on Paekche of the "Sui China Chronicles" indicate that many Paekche
kings like King Onjo, King Asin, and King Biryu fostered Martial Arts. One
Korean King even caused a scandal by practicing the grappling martial art
Cireum (King Chung Hael). Generals were prompted in part due to their skill
in the Martial Arts. General Kim Tuck-ryong rose from the ranks due in part
to his skill in Cireum. The people as a result like to engage in Martial
Arts such as Cireum and Tae Kyon. Cireum is the native form of wrestling and
was introduced during the reign of King Chung Hyi of the Koryo Kingdom. It
traces its roots to Chinese and Mongol grappling forms. Cireum did not
experience the decline in popularity as did other forms of Martial Arts
during the Yi dynasty. In fact during the 13th century when other Martial
Arts were declining in popularity Cireum actually increased. This native
wrestling form is still practiced and contests are held on national holidays
such as the 5th moon and August harvest.
Buddhism first came to Korea in 372 A.D. by a
Chinese monk named Soonto. Soonto arrived at the court of King Soo Soo-Rim
of the Koryo Kingdom. Paekche soon afterwards sent for teachers and Silla
followed in accepting Buddhism. As we shall see a famous Buddhist monk was
instrumental in the Martial Arts of Korea. Buddhism was adopted through
China, which had accepted Mahayana or "Greater Vehicle" school of Buddhism.
The Hinayana or "Lesser Vehicle" was practiced in Paekche who communicated
directly with India. Korean records indicate that the first Buddhist monk in
Paekche was a monk named Marananda. It is conceivable that the art of
Vajaramushti entered Korea at this time in much the same manner as
Bodhidharana.
Koryo established the first university in
Korea, T'aehak (372 A.D.) The people of Koryo considered national defense to
be their primary concern so it is understandable that the Confucian Classics
along with the Martial Arts were taught to the children of the nobility. The
book that must have influenced that time period would be Sun Tzu's "The Art
of War". This book was considered by many to be one of the most remarkable
books ever written. Any military leader in the Orient could quote this book
by heart. Its practicality has survived even in to the modern era. Mao Tze
Tung I his writings would paraphrase it. This book has found many men
throughout the years quoting it. Bobby Knight, of Indiana University, has
even quoted Sun Tzu.
Kung-Sool used a bow that was reflex in
design and composite in nature. It was a short weapon and was used by
mounted and foot soldiers. The tactics of the Mongolians were used by Korea,
and played a major factor in strategy. Two great men in Korean history Tong
Myong and Yi Songye, who were founders of the Koryo and Yi dynasty's, were
known superior archers. The Koreans even used the bow and arrow during the
Korean War.
Because the army needed more manpower than
could be supplied by the Aristocrats, Koryo established schools (Kongdang)
in all the districts of it's territory. In it the children of the lower
class were trained in "reading and archery". One can assume that the course
of study was similar in both T'aehak and Kongdang.
Silla also had a similar institution founded
under the reign of King Chinhung (540 to 576 A.D.), during the old Silla
dynasty (957 B.C. to 668 A.D). This was the well-known Hwa-rang Do
(translated as "Flower Youth"). The Hwa-rang was an elite fighting corps
made up of young Aristocrats. They received training in the Confucian
Classics, Sun Tzu's "The Art of War", as well as the Martial Arts. These
young men would subject themselves to strict discipline and suffer severe
hardships to strengthen their mind and body. During the reign of King
Chinp'youn and Queen Sondok the Buddhist monk Won'gwang was highly required
in China, so great in fact was his reputation that he was one of a few Silla
monks to be included in the "Sok Kosun-Jon" (A Supplement to Biographies of
Eminent Priests). This was compiled in China.
During the reign of Queen Sondok a monk by
the name of Chajang developed a theory that Silla was the Buddhist land par
excellence intending to disarm Koryo and Paekche. Chajang had a pagoda built
with nine stories at Hwang Yongsa. Additionally he built Tongdosa where he
hoped to enhance the morality of Silla.
It is reported in the "Samguk Yusa" that two
youths named Kwisan and Ch'uhang visited Won'gwang at Kasul-Sa temple and
asked for rules by which they could live their lives. Won'Gwang replied:
"There are ten Bodhivasttva precepts in the
Buddhist law, but I don't think you can follow them all because you are
subjects of the King. So I give you the five mundane commandments: 1)
Loyalty to the King, 2) Piety to Parents, 3) Faith in Friends, 4) No retreat
on the battleground, and 5) Selection in the killing of living things."
While Kwisan and Ch'uan (by historical
records) were not members of the Hwa rang it must be assumed that Won'Gwang
gave these instructions not only for the Hwa rang but all the youth of Silla.
The Hwa rang became known in the peninsula
for their courage and skill in battle, gaining respect from even their
bitterest foes. The strength they derived came from respect to their code
given by Won'Gwang and enabled them to attain feats of valor that became
legendary. Through their feats they inspired the people to rise, unite, and
eventually conquer Koryo and Paekche. Kim Yu-Sin was a famous Hwa rang who
played an important role in the unification of Korea. From the victories of
Silla the Korean peninsula became united for the first time in its history.
During the days of glory Silla produced an
outstanding monk by the name of Won hyo. Won hyo did not travel to China to
study Buddhism, as was the style of the time, but rather, stayed in Korea.
He wrote extensively and was well received in T'ang China. This would
indicate that he was a Buddhist Scholar of great insight.
During this time period Confucianism and
Buddhism could and did flourish under the same patronage. Confucianism was
used for the individual's career path and Buddhism was the religion tract.
Both thought patterns lived in harmony.
In 1935 a group of Japanese archaeologists
discovered the royal tombs of Muyong Chong and Kakchu Chon, which date back
to the Koryo dynasty. The tombs were located in Tungku, China, and Tung-hua
province of Manchuria where Koryo had its capitol. The ceiling of the Muyong
Chong tomb carried a painting portraying two unarmed men confronting each
other. The mural painting of the Kakchu Chong tomb shows two men engaged in
Tae Kyon. These tombs were constructed between 3 A.D. and 427 A.D. Tatashi
Saito, the Japanese archaeologist, said in his "Study of Culture in Ancient
Korea" that "judging from the tomb, the man to whom the tomb belonged must
have been devoted to Tae Kwon Do in his lifetime so that a Tae Kwon Do scene
was painted in his tomb to solace his spirit."
Other evidence of early Tae Kyon can be found
at the temple of Sokkuram, which dates to the reign of King Kyongdokk
(742-765 A.D.). The "Samguk Yusa" relates that "During the reign of King
Kyongdokk, Tae-Song, the King's first minister, commenced the construction
of Pulguk-sa in the tenth year of T'ien-pao (742). Tae-Song died during the
reign of King Hyegong, on the second of December in the ninth year of Ta-Li
(774); the construction of the temple was finished some years later. In
front of the Grotto in Gyeongju there are two stone images of warriors in
stances resembling modern Tae Kwon Do forms. They form an attack pattern by
raising right hands up to their ear while defending their lower bodies with
left hands. This posture looks very similar to movements in "Ship Soo" (ten
hands). These guardians are known as "Kumgang Yoksa".
When Silla was overthrown in 935 A.D. and the
Koryo dynasty was founded Tae Kyon flourished. It was during this time that
some of Korea's finest warrior heroes were produced.
During the Koryo dynasty there were four
school systems in existence. The Kukchahak was designated for children of
officials of grades 1 through 3, the Taehak for children of officials of the
grades 4 and 5, the Samunhak for children of grades 6 and 7, and the Chaphak
for other officials and children of the Sangnom (commoners). As would be
expected the first three schools taught the Confucian doctrine, which was a
requirement to advance in civil government.
To gain positions in government one must pass
state examinations were based on the classics. This examination system was
established during the rule of Kwanjong (950-975 A.D.). This civil service
examination was also used in China and Japan for their government officials.
According to An Je San, a noted historian,
the King of Chosun would hold a tournament of Yoo Sul at Kak Chon Pavilion
on Ma-Ae Sam every May. The winner of these contests would receive a
prestigious government post. The winners of the annual contest Yi Ui-Min,
Chong Chun Bu, and Sa Kyang Sung, eventually became leading generals during
the Koryo dynasty.
Yoo-Sul (soft art) was adapted from Chinese
sources and was popular by 1150. Yoo-Sul was made up of throwing techniques
(mechige), grappling techniques (kuchigi), and striking techniques (kuepso
chrigi). Yoo-Sul was designed as a form of combat that emphasized closing
with the opponent and applying their techniques. Unlike Japanese Ju-jitsu,
Yoo-Sul did not emphasize techniques to counter hand and foot attacks.
The following is excerpts from the "History
of Koryo" and provides a look at Tae Kwon Do at that time:
---King Uijong promoted Yi Ui-Min from the
military rank of Taechong to Pyolchang because his Tae Kwon Do skill was
outstanding (Chapter 41, Volume 128).
---General Chong Chung-Bu ordered military officers to practice Subak
(Chapter 41, Volume 128).
---The king observed Subak games at the Hwabigun Palace and Ma-Am Sam
(Volume 36).
As you can imagine the Martial Arts prospered
under such royal patronage and became a permanent segment of national life.
Don F. Draeger in "Asian Fighting Arts"
states that two empty hand systems dominate all other the Sorim Temple
School and the Songkae School. The Sorim Temple School was developed by
priests and made use of swift, evasive movement and jumping attacks. The
Songkae style was a defensive style developed by its founder Chang Songkae,
of the Chinese Ming dynasty (1368-1644). As a side note General Choi Hong Hi
in "Tae Kwon Do the Art of Self Defense" mentions two schools of forms (hyung)
So-rim mit and So-ryoun Yu. He states that these two schools are of Japanese
and Okinawan origin, but their derivation is not definitely known. "The
Sho-Rin (So-rim mit) is characterized by light and speedy movements and is
suitable for a light person. The Hei-An, Bat-Sai, Kuoh-Shang-Kouh, En-Bi,
and Ro-Hai are the typical patterns of this school."
In 1392 General Sung Kye Yi overthrew the
Koryo dynasty and the martial arts declined under the Yi dynasty. During the
Yi dynasty there was a period of "civil enlightenment" in which anything
related to the military was frowned upon. This policy caused many of the
warriors to leave the secular life and turn to the Buddhist temples. There
they practiced the martial arts in much the same way as the monks of the
Shaolin monastery and Yamabushi (mountain warriors) of China and Japan
respectively.
During the 12th century a monk by the name of
Myoch'ong, who combined Buddhism and Confucianism, attempted to develop the
hand-to-hand combat systems in the military schools. He favored the Chinese
combative techniques. He used Korean archers mounted as well as on foot to
cover the empty handed fighters. Myo'chong at this time also realized that
the sword techniques had not been developed to a high degree and so he added
it to the curricula that he had devised. This would give an indication that
the unarmed methods of the time were highly developed. That Myo'chong would
send into battle unarmed men against armed opponents, which was considered
to be the highest praise of the fighting art at the time.
In 1443, King Se-Jong, who was the fourth
monarch of the Yi dynasty, commissioned a group of scholars to devise a
Korean alphabet. The result was called Hangul. This alphabet now consists of
24 letters- 14 consonants and 10 vowels.
Yi Toe-Gey (1501-1570 A.D.) was a Confucian
scholar who had the penname of Yi Hwan. He was born in Kyong Sang-Do
province and passed the state examinations at the age of 34. He held the
position that the universe was composed of two vital elements Yi and Ki
(mind and matter). Yi (mind) being the root of Ki (matter).
Another scholar of this time was Yi I known
by the penname of Yi Yul gok (1536-1584 A.D.). Yi I was born in the Kang
Won-Do province and was known for composing a denunciation of one Chin
Pokchang at the age of seven. After the death of his mother he retired to
Kumgang San (Diamond Mountain) to study Buddhist scripture. After a year of
study he returned to the secular life and Confucianism. He had tried to
unite Buddhism and Confucianism.
In the 16th century the Japanese under
Toyotomi Hideyoshi (1592) mounted a large invasion of Korea. A great hero
emerged from this crucial period of history. Yi Sun Shin was one of a few
who had foreseen the forthcoming invasion. By using the Korean navy founded
by Sin Sukchu in 1466, Yi Sun Shin developed the Turtle Ships (Kobukson),
which were the first iron plated battle ships in the world. These ships were
very fast and powerful. The Kobukson soon became the nightmare of the
Japanese empire. As the commanding Admiral of the Cholla Fleet, Yi Sun Shin
had prepared the Turtle Ships that would give him victory at Okpo (Chinhae)
and the extermination of the Japanese fleet off of Hansa Island. These
crushing defeats completely frustrated the Japanese strategy of parallel
advances on land and sea.
Korea requested aid from the Ming dynasty and
was given immediate response by the Chinese government. The Ming were more
willing to help Korea because it was clear that this was the first step to
the conquest of China. This intervention of the Ming gave a boost to the
moral of the Koreans and encouraged the formation of volunteers. The "yangbang"
(nobles) assumed the leadership of recruitment and gathered individuals from
all ranks and classes "sangnom" (commoners) and Buddhist monks.
Buddhist monks such as Su San Dae Sa and Sam
Yung Dang came to the aid of their country in rallying the defense against
invaders. Some 700 volunteer soldiers from the Kumsan area fought the
Japanese invaders with bare hands. Sosan, a Buddhist monk became one of the
great military leaders rallying 1500 monks for the resistance. Other
Buddhist monks of this time who came to the defense of their country were
Samyong (700 men) Noemuk (1000 men), and Kho (700 men). The Yi dynasty added
an independent command to its army for command of this priestly army known
as the Tochongsop.
The Japanese suffered defeats as a result of
the Ming intervention, the volunteer army, and the brilliance of Yi Sun
Shin. It is recorded in the 35th volume of "The Historical Records of Sonjo"
that General Kwon Yul who was the commander of Haeng Ju Garrison repelled
Hideyoshi's invading forces with a company of stone throwers. As a note
stone throwing was a sport practiced by the Koreans where men would gather
in two opposing forces and throw stones at each other. The Japanese banned
this sport during their occupation in 1910.
Due to the defeats and the Japanese
realization that there would be no quick victory peace talks were held.
There was not a successful conclusion and in 1597 the Japanese once again
attacked Korea.
At this time Admiral Yi had been imprisoned
due to factional strife. The Japanese scored a crushing defeat over the
Korean Navy at Hansan Island. Ironically this was the scene of Admiral Yi's
victory over the Japanese. Upon the defeat at Hansan the Korean government
released Admiral Yi and returned him to his former position. With only 12
ships left in the fleet Admiral Yi was able to win a battle at Myong Yang
straits against an overwhelming number of Japanese ships.
In 1598 Toyoitomi Hideyoshi died and the
Japanese will was broken. The troops began to withdraw. It would seem likely
that the new shogun would want his troops at home to consolidate his power.
It was during this time that Yi Sun Shin fought his last battle. At the
height of his career he was struck down by a Japanese bullet at the battle
of Hamhae Island where he fought the amassed Japanese fleet of 200 ships.
Buddhism suffered persecution under the Yi
dynasty for over 500 years. The monks salvaged what they could from their
property. The Yi dynasty outlawed Buddhist from public life, even barring
them from entering cities. Sons of the Yangbang were barred from Monkish
careers and those in the temples were urged to return to the secular life.
During the Yi dynasty there is speculation
that convoys from Okinawa carried Subak or Tae Kyun back to their homeland.
This may have been a forerunner of Okinawa-te. Okinawans adoption of the
Korean seesaw game of "Nul" was an indication of cultural adaptation by the
Okinawans.
In 1790, General Yi Dok-Mu wrote a book on
martial arts under the instruction of King Chongjo. This is known as "Muye
Dobo Tongji" and is the known text on Tae Kyun. The descriptions of
techniques in this text are similar to those used today in Tae Kwon Do and
Hapkido.
By the end of the Yi dynasty the martial arts
all but disappeared. The final blow to the martial arts came with the rule
of Japan in 1909, when it was forbidden to practice any native martial art.
In 1905 due to the Korea-Japan Peace Treaty the Japanese educational system
was imposed upon all of the Korean Schools. At this time every schoolboy was
introduced to Judo and Kendo.
Prince Ito Hirobumi (1841-1909) is known as
one from the founders of modern Japan. He was appointed as the resident
general of Korea in 1905 and resigned in July 1909. The prince had resigned
to become president of the Japanese Privy Council. Under the patronage of
the Japanese, who were living in Seoul formed the Chosen Kosho Kanko-kai
(Society for the publication of old Korean books). This was the Japanese
society that published 70 volumes during the period of November 1909 to June
1916. On October 26, Prince Hirobumi was assassinated by An Joong Gun at
Harbin railway station. Mr. An was executed at Lui-Shung prison in 1910, he
was 32.
In 1910 Ch'oe Namson founded the Chosun Kwang
Mun Ho (Society for the Promotion of Korean Books) that was to serve as a
rival to the Kosho-Kanko-kai.
During this period the Korean Athletic
Society was formed in July 1920. This organization was disbanded by the
Japanese in 1938 and replaced by the Chosun Athletic Association.
In 1941 the Japanese required all the Korean
youths to study Judo and Juken-Jutsu (bayonet art). Tae Kyon secretly
survived among a remnant of stalwarts by going underground. Tae Kyon was
passed on to the handful of students, such as Kuk Ki Song and Ill Dong Han.
At the same time many Koreans oppressed at home emigrated to study and work
in other parts of the world, including China and Japan. No restriction on
the unarmed martial arts existed in other countries and so Tae Kyon was
exposed to other forms of unarmed combat. This would prove to be an exciting
development for Tae Kyon.
With the liberation of Korea in 1945 many of
the immigrants returned to Korea bringing with them new ideas to give a
breath of life to Tae Kyun. During this time the five original Kwans were
formed. The first Kwan opened was Chung Do Kwan in 1945 by Won Kook Lee at
Yong Chun, Seoul. Later on November 9, 1945 Whang Kee founded Mood Duk Kwan
(Tang Soo Do) beside a railroad station. Whang Kee had, at the age of 23,
gone to China and studied the martial arts in 1936 and returned after the
conclusion of hostilities. Sup Chun Sang also known as Sup Jun Sang founded
Yun Moo Kwan at a Y.M.C.A. The Y.M.C.A.s are recognized as the single
largest factor in growth of western sports in Korea. In that same year Yon
Kue Pyang founded Chi Do Kwan. Between 1953 and 1954 three more Kwans were
founded. Gae Byang Yun founded Ji Do Kwan, Byung Chik Ro founded Song Moo
Kwon, or sometimes known as Sang Moo Kwan.
Second Lieutenant Choi Hong Hi began teaching
Tae Kyon in Kwang Ji to the Korean Military. Lieutenant Choi also taught
some Americans stationed with the 2nd Infantry Regiment in Korea during this
period. In 1949 the then Lt. Col. Choi attended ground school at Ft. Riley
just outside of Topeka, Kansas. Later as a General Choi Hong Hi along with
Tae Hi Nam would found O Do Kwan. O Do Kwan was established as a military
kwan. As instructors of Tae Kwon Do were drafted into Military service the
best were "requested" to join O Do Kwan. This gave General Choi a strong
base to latter start his own "International Tae Kwon Do Federation."
In 1945, the first National Association was
the Kyong Soo Do Association, which was headed by Cho Ryon Chi, President of
the Korean Residents Association and the Korean Youth Association in Japan.
Kong Soo Do written in Chinese script is pronounced in Japanese as Karate
Do.
On April 11, 1955 there was a meeting of
Chung Do Kwan instructors to decide on a name by which to call their
national art. Chung Do Kwan was at the time the largest civilian Kwan.
General Choi submitted the name Tae Kwon Do and this was chosen for its
resemblance to Tae Kyon. AT that time not all the major Kwans merged under
this new name, and have not to this day. That same year (1955) the Kong Soo
Do Association broke up when descention set in. On September 14, 1961when
the military government assumed power the Tae Kwon Do groups were ordered to
form one organization. According to Jhoon Ree this was called the Korean Tae
Kwon Do Association (in other sources it was named the Tae Soo Do
Association). General Choi was elected its first president. Whang Kee who
was the founder of Tang Soo Do, maintained the Korean Soo Bak Do Association
after lengthy court battles. The Chi Do Kwan Association also seceded from
the national organization. However, by 1962 many of the instructors rejoined
the Korean Tae Kwon Do Association. This association was given official
recognition by the Korean Athletic Association and the Army.
In the early 1960's many high-ranking Tae
Kwon Do instructors established schools in the United States. At the U.S.
Military Academy at West Point Song Duk Son, S. Henry Chu in New York, Sang
Kyu Shim in Detroit, Ki Wang Kim and Jhoon Ree in Washington D.C., Jack
Hwang in Oklahoma City, and Jun Sun Hyun in Minneapolis.
Further, in the early 60's some new styles
were formed. Son Duk Son and Kang Shu Chong established Kook Moo Kwon; Yu
Sung Kim established Chung Yung Kwang; Young Jin Park established Hwa Rang;
Yun Hun Shin established Moon Mu Kwan; and Young Woo Lee established Jung Do
Kwan.
On March 22, 1966 General Choi founded the
International Tae Kwon Do Federation and set up his headquarters in
Montreal, Canada.
In 1973 Master Instructor Young Sun Kang
moved to the United States. Young Sun Kang has become one of the most
influential men in Tae Kwon Do in the United States. Young Sun Kang has
taught Tae Kwon Do Chung Do Kwan in Boston, Omaha, St. Louis, and
Louisville, KY. Currently he lives in Korea and has played an active role in
several national organizations. He also serves as President of the United
States Tae Kwon Do Alliance and the American Martial Arts Association.
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